Yuri
Tarnopolsky
ESSAYS
1. Essays? After Montaigne?
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![]() ![]() Essay
1. Essays?
After Montaigne? My Essays are
inspired by the famous Essays of Michel
Montaigne (1533-1592), one
of the three favorite books of my youth. Hiawatha
by Henry Longfellow and Dhammapada, a book
of Buddhist ethics, were the other two. Montaigne’s
book of essays remains a monument to human intelligence
with its two polar points: common sense and independence
of mind. This alone could be a starting point for a
discussion: how can one be independent and at the same
time adhere to common sense if common sense is the way
of faceless crowds? Let us leave this apparent
controversy until some later essay. Here I would like to
explain why I believe my essays could be of interest for
anybody except myself. Otherwise, I would not
attempt this venture because I know myself all too well
and have nothing to gain from spilling my knowledge out
in an electronic form. I submit here
two reasons. The first reason
is my quadruple identity. I was born in
1936 in the former Soviet Union, the year preceding the
beginning of the Stalin’s terror. I was brought up and
educated in the Communist society. I wept when Stalin
died in 1953, but thirty years later I was arrested and
put into a labor camp for anti-Soviet behavior. I left
USSR for USA in 1987, the year of the beginning collapse
of Communism. In short, I have lived in both worlds.
Like an amphibian, I lost my Soviet gills and learned to
breathe with lungs. I remember Communism as it was,
frozen in my memory, while the memories of my generation
living in Russia are overlaid by subsequent events. By
Russia I mean here the former Soviet Union, the heir of
the Russian Empire of the czars. In a
sense, I am a living fossil. To talk to me about
Russian Communism is like talking to an alien from a
distant galaxy whose planet does not exist anymore. Who
needs Communist Russia in 2000? Yet as we enjoy
reading Montaigne who lived half millennium ago, we may
need to read about Communism in another half millennium.
Some human creations are as lasting as human nature
itself: they are part of the social genome. My interests have
never been limited either by my immediate environment or
the official curriculum of my education. Since my early
childhood, as soon as I had learned to read, I was
eagerly interested in America and life abroad, as well
as knowledge in general. One of my first books ever, at
the age of eight or nine, was a Russian Geographical
Yearbook (something like National Geographic) with
several illustrated reports about America of the
mid-30’s. With time my interests expanded over many
subjects well beyond my chemical profession, covering
art, natural sciences, philosophy, history, and
sociology. I proudly call myself an amphibian in a
metaphorical rather than biological sense. Equipped with
both scientific gills and humanitarian lungs (which a
true amphibian can never have at the same time but only
at different stages), I felt comfortable in both
sciences and humanities, the price being the lack of any
profound and extensive knowledge of both, as well as the
lack of any significant personal, social, or
professional achievements. I am in no sense a match to
Montaigne who was a two term mayor of Bordeaux. I have
never had many friends and acquaintances and by my
nature I am rather asocial. The company of four is the
maximal radius of social comfort for me. Yet that was
exactly Montaigne’s idea: to portray not a public figure
but a private person observing the world and himself. Having come to
America, I saw the New World with the eyes of a Martian,
adapted to a different spectrum. Unlike most immigrants,
however, I was much better prepared by my previous
interests and knowledge and I knew what to look for. I was
interested in all aspects of my new habitat in the same
amphibian way, including its possible future. Although
thirteen years of my American life is a pretty short
time as compared with fifty years of my Soviet life, I
instinctively feel that this might be the right time to
spawn, albeit simply because there are not many springs
left. In addition to
space, there is yet another dimension to these essays:
time. In my Russian childhood, even automobile and
telephone were exotic contraptions. I still remember my
ride in a taxicab somewhere around 1940 as an exciting
adventure. When my mother and I returned to my native
city in 1944, after it had been freed from the Nazis, a
horse cart carried our baggage from the railway station.
I am certainly
not unique in this aspect among my generation, but
throughout my life I have been closely watching the
development of the new science and technology—modern
physics, chemistry, biology, TV, nuclear energy, and
computers—not just from the media but from in-depth
accounts, until their depth extended well beyond my
reach. Most of all I was interested in general
laws of nature that govern the course of everything. The media
provided me with a wide picture of the world events such
as the end of colonialism, the fall of Communism,
creation of global economy, rise of Islamic nationalism,
evolution of Israel, India, and China, and the advent of
other forces of global magnitude or long term
consequences, such as the pressures of energy,
environment, and a visible balkanization of USA. In short, I
believe that because of my multiple identities—plus a
definite arrogance—I might occasionally run into a
non-commonsense opinion. It was different in the
times of Montaigne and up to most of the twentieth
century, but in our electronic age and with Encarta at
the tips of your fingers, erudition, factual knowledge,
and learning in general has lost most of its value. A
snapshot from a fresh angle, however, may still be of
merit: photography combines art and science. The second reason
is simply my admiration for Michel Eyquem de Montaigne
and a conscious desire to follow the pattern of essays
that he invented, developed, and elaborated. I see this
pattern as just following the impulse and whim of my own
mind and will. The difference, however, will be
obvious. The form of my Essays
is purely electronic: I am planning to put them out on
my Web site one by one for as long as I can. English is not my
native language and the readers (if there are any) are
encouraged to offer editorial suggestions and criticism. The texts may not
be final. I will be returning to some of them, and this,
too is a part of my experimentation with electronic
publishing and its enormous, possibly, even
self-destructive freedom. Hypertext is a powerful and
irresistible novelty, which I will try to use sparsely.
My essays, as
well as their prototype, are born from a deep
melancholy—a beautifully sounding word (mela of
black, resonates with mela of honey) which in
modern language has a sinister and totally undeserved
meaning of depression, aggravated by its social
connotation. Montaigne, having
finished his career in 1570, was anxious to start
his golden years of leisure and learning, but he
missed his friend Etienne de la Boëtie who died in 1563,
and felt very lonely. His Essays turned out a
self-cure. Some essays, but not the
complete Montaigne, are available on the Web. There is
an excellent translation into modern English: Michel de
Montaigne, The Essays of Michel de Montaigne,
Translated and edited with an introduction and notes by
M. A. Screech, Allen Lane, The Penguin Press, London,
NY, Toronto: 1991. There is a
complete original French text online. NOTE (2016):
After many years, a large number of the original links in
my Essays are dead, which in an oblique way confirms that
ideas are a form of life and, therefore, mortal. As
patterns, they are as long-lasting as arthropods or
mammals.
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