| Yuri
Tarnopolsky eSSAYS
18. On Everything
complexity. code. unified picture of the world. pattern theory. Ulf Grenander. dematerialization. US Tax Code. |
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![]() Essay 18. On
Everything
Everything in the world is what we know about the world. What we know about Everything is its representation. Representations can be: r pieces of cardboard with words written on them, arranged in a certain order, r images on the computer monitor, made with a drawing software, r words of common language, arranged in texts, r words in Ancient Egyptian language revived and modernized like the Hebrew language in Israel, with an addition of modern pictographic signs, pictures, drawings, graphs, charts, and blueprints, r completely artificial language using esoteric symbols from sci-fi movies, r computer files, r heavy stones with chiseled symbols, like Hammurabi Stele and Mayan inscriptions. r knowledge stored in human brains (we do not know how, yet), r
other
combinations of any blocks, as well as combinations of the above.
The function
of the language is, ideally, to name one thing with one name and to
show
the connections between the things through the connections between the
names.
The block ..
from Essay 17. On
Complexity represents only itself. We can represent it in
many other ways, for example, with letter B. We can also make
it
represent letter B :
. Therefore, B will mean
and
will mean B.
We name one thing with one name within a language, but there could be many languages. This is Ka and
this is Ba
in Ancient Egyptian (see Essay
15. On menage a trois in the Stone Age ). They have also
meanings
that can be expressed as: Ka is "body double" and Ba is
"soul."
Or: Ka is "two arms joined at the shoulders" and Ba is "bird with human
head."
Genetic code is
also a language
in which ATG, for example, means the amino acid methionine
that can be seen further below. In the language of DNA, sequences of
four
symbols A, T, C, and G code sequences of twenty amino
acids.
There are some examples of the blocks combined by the color rules, in continuation of Essay 17. On Complexity. This time the blocks have meanings. They are the words of a language and they code some real things. A
molecule
of water consists of one atom of oxygen, O, and two atoms
of
hydrogen, H:
ATOMS
WATER
We could use different blocks for representing water, for example, the letters: W-A-T-E-R Our chemical choice of representation, however, reveals how the family of chemical compounds is structured. With the same symbols we can portray at least three other compounds, hydrogen, H2, oxygen, O2 , and hydrogen peroxide, H2O2:
Hydrogen Oxygen Hydrogen peroxide
The next two examples represent a thought:
and a grammatical
structure
of a phrase:
Pattern
Theory, even in its conceptual core, is incomparably richer
than
my reflections on it.
My final example from the zoo of Everything is more complex: a paragraph of the US Tax Code (see Essay 13. On Numbers ):
If there are no rules of connection whatsoever, we can just leave the materials dumped on the ground in no matter what order. NOTE. In the real physical world, we still need a certain level of chaotic energyNow that I have outlined the universally granular, atomistic, modular, and prefabricated design of Everything, whether the Empire State Building, or atoms, or words, or numbers, I must acknowledge that Everything is not homogenous. I have to partially recall my claim on the universality. It will be as far from the truth to equal a skyscraper with the word "skyscraper" and even a complete blueprint of the skyscraper, as to equal the death on the movie screen with real death. Yet there is always something in the non-truth! r A chemist looks at chemical formulas, manipulates them on paper or on file, and comes to new combinations. A large and complex apparatus of research labs, pilot, manufacturing, and marketing facilities turns the visual code of a new drug stored as a file in a computer, into pills for sale in pharmacies. r An architect draws crude outline of a building, makes it more specific, manipulates it, using CAD software, and a large and complex apparatus of design, construction, accounting, and marketing facilities turns the code (blueprint) into the real building for sale. r A script writer makes a script as a computer file, manipulates with it, sells it, and a large and complex apparatus of movie industry turns the code (script; sometimes changing it beyond recognition) into a movie for sale in theaters and video stores. r Similarly, a code of a legislative idea in an ambitious head is turned into a law enforced by a budget-taxing large and complex apparatus of police, courts, lawyers, and prisons. r A code of a space shuttle is turned by the large and complex apparatus of NASA into a multi-billion dollar adventure. r A code of a sacred religious book, interpreted in different ways, contributes to legal codes and ways of life as different as those of Malaysia, Turkey and Afghanistan, with different economic consequences. r DNA codes unfold into a new human being in a mother's womb, or an oak, a whale, an ant. Right before our eyes, a new large and complex industry emerges which could manipulate with the code in the form of computer file and turn it into a designed organism for sale. r A code of knowledge in a young human's head is being manipulated by education and upbringing. By extension, we can foresee times when the knowledge code will be converted into a computer file, manipulated, and inserted directly in the brain, with a corresponding turnover of money. r It is the large and complex apparatus of human civilization that creates, manipulates, and expresses codes with money playing the role of energy currency, like ATP (see Essay 7. On the Smell of Money). Both the code and its expression, i.e., the "real" thing that the code describes, including the civilization itself, are combinations of symbols. If the instructions for building a house were carved in stone, like in the Rosetta Stone and Behistun Inscription, it would be almost as much time and energy consuming to manipulate them as to build a house from stone. Only ideas in one's head could be manipulated swiftly, but, as a tradeoff, we do not have a full control over our own thinking. The ancient
technology developed
slowly because the technology of writing was expensive and available
only
to a small group of literate people. Even now, the inventors who
possess, together with poets and theoretical scientists, a rare ability
to manipulate complex images in their head, like to play with the
hardware—the
big Lego that is its own code—and later convert the "real thing"
into a verbal or graphic code.
Both the code and
its expression
are material, including ideas. It takes glucose to both think and
speak,
as well as write and punch away the keyboard. The digital code,
however,
which is the DNA of Things, differs from the Things in three major
aspects:
NOTE: I do not use the word information here. I want to distinguish between the things that can translate into other things, provided the apparatus, and the things that cannot. Yet presence or absence of information is exactly what divides Everything into the two "everysexes."In short, the digital code can be written, manipulated, duplicated, and annihilated by the touch of a finger. The deep reason for the unusual properties of the digital code is that a bit of information is represented not by an irreversibly fixed material object, like in the cuneiform clay tablet of Babylon, letters written in ink, or printed documents, but by a state of a material object that can be indefinitely alternated between two states with minimal physical work . In cultural history, the reversible electronic substrate of memory has no precedent and no analogy except for the humans' own short term memory. It seems to fit an ephemeral, fluid, and childish civilization that lives day by day. But in fact, our civilization has not only its newly acquired short term memory with enormous storage capacity but also the traditional long term memory stored on the shelves of libraries and archives. Owing to computers, it can rival the individual brain with its dual memory, and vice versa. Still, the possession of both memories rises the intriguing question of balance between senility and infantilism. In five years, most links to these Essays will be dead. The search, hopefully, would provide new ones. Hopefully, the noble and democratic Google and Guttenberg will still be free (Britannica is not). This is what makes the Web inherently juvenile: knowledge flows through it like daily impressions of a teenager who has a feeling that he or she is in a quick transition and the teen days are numbered. With little emphasis put on the long time memory and decline of education that gives the key to the libraries we seem to be sliding into infantilism. We simply do not have time to remember (see Essay 2. On the Chronophages or Time-eaters ). Whether a long time cultural memory and the knowledge of world history, including history of science, really give a young person any advantage in a vehemently materialistic civilization, I don't know. It seems to die off, like the European fashion of the nineteenth century is dead in the times of body piercing and the above midriff tops. The properties of
the electronic
code make our digital civilization naked and vulnerable because for the
first time in history a single person with only modest hardware,
limited
education, and no army can wage a symbolic war against large, complex,
and powerful organizations like US Government and Microsoft by
manipulating
parts of their codes. The digital civilization will adapt to this
inherent
threat but the viruses will adapt, too.
Francis Bacon identified knowledge as power in 1597. Knowledge as the code of Everything has always been used for creating, manipulating, transforming, and destroying objects of real world. It is the unprecedented physical ease of manipulating the code that came with the digitalization. The digital code is an object that is its own code. It represents itself. This seeming dematerialization of the digital world is a historically new phenomenon, which the humans will have to adapt to, probably, paying a price for heavily insulating the code and locking each code into its own Fort Knox. That would quickly materialize it back and set on the firm ground. This is what evolution did with axons of neurons when it insulated them with myelin. Multiple sclerosis destroys the insulation and wrecks havoc on the brain. The digital world, therefore,
is only
a part of Everything.
Thus, a painting by
Rembrandt
is man-made and monistic. Our planet is natural and monistic. Lion is
natural
and dual. A blueprint for a toaster is code, monistic, and man-made. A
file on a hard disk is dual and man-made code (in short, digital code).
What about the
future of
the relationship between humans and Everything?
I am reluctant to share either conservative or leftist resistance to any extinction. I believe in the sanctity of change. But it is so good
to be humanly
biased! I would rather lose whales and caribou than libraries.
Reading Allan Bloom, I think about the futility of the noblest lament over the change, loss, and extinction. Civilization evolves irreversibly, and whatever happens with a large number of people, happens for simple and profound reasons that cannot be amended and overseeded with the old stock, but can be understood. Whoever regrets the
direction
taken can only plant the seeds of the future.
NOTES: [1]: Allan Bloom, The Closing of the American Mind, 1987. New York: Simon and Schuster, p. 51.
2.
If language, ideally, names one thing with one name, mathematics,
according
to
many esoteric. The above link is great, but I am afraid it will disappear soon. Here is the reference: Daedalus 125(3):171-198 (Summer 1996) . Also in: Technological Trajectories and the Human Environment. 1997, Pp. 135-156. Washington, DC: National Academy Press. |
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